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To search this blog, please see the categories and search feature in the footer of any page or in the sidebar to the right.  This blog does not contain everything I’ve made.  More can be found at my Aria Couture Facebook page.  As time allows, I will move some things from my defunct website here, as well as move creations from my Facebook page here.  I encourage you to follow both this website as well as my page!

 

If you’re here for my Beauty and the Beast costume studies:

To my surprise, tens of thousands of people are, and to make it easier, I’m going to post those here.

Emma’s (“Belle’s) yellow gown from Beauty and the Beast: A Costume Study
Beast’s Ball Ensemble:  Costume Study
Provincial Belle: A Costume Study
Gaston: A Costume Study
Pre-movie costuming thoughts about Beauty and the Beast
Post-Beauty and the Beast costuming thoughts

Nutcracker and the Four Realms

(Highlight the text in brackets to see potential spoilers.)

Although this movie did very badly (and deservingly so for changing the story beyond all recognition…if they’d just called it The Four Realms and use different names, I think they’d have done better), the costumes are gorgeous, and the sets are stunning. You have no idea how annoyed I am that such amazing designs were basically wasted on a movie that isn’t good. When I saw the promotional photos and the dolls and the other pretty stuff, I hoped so hard that they wouldn’t mess it up.  Just look at these.  Wow.  No joke on that part.  Almost any single still shot looks like an individual piece of art.

But when it turned out that the only things this movie has in common with the VERY-well-know version of the story we absolutely all know practically from birth is that a girl gets a gift {one gets a Nutcracker, the other an egg}) on Christmas Eve, and ends up in a magical world {(one really through a dream/”The prince takes her”, and the other through a wardrobe…like Narnia}, and the names, I knew it wasn’t going to end well.  And it hasn’t.  And those are all it has in common.  Period.  The Nutcracker stand-in is a {human} from the get-go, the gift came from a different person{(a gift from her dead mother)}, a relative in the story we know is {dead (her mother)} and there’s another relation who has no point {(she has an older sister)}…

I’ve read summary after summary, from several different reviewers, and the summaries are pretty consistent, and sounds like it could have made a semi-interesting story if it had been treated as its own original story to begin with.  Don’t offer someone warm chocolate brownies, and then give them an icicle and tell them it’s your version of brownies.  The icicle may be good, but after anticipating that brownie, it’s a let-down.

I’m still trying to decide if I want to spend $16.50 to see this movie when it would be just for the costumes.  If I went, the worst is I’d be out $16.50, which is less than Disney’s $110-mil loss so far (plus promotional expenses) (it’s made about $20mil worldwide on a budget of $130mil).  There’s no rush to decide.

But I do want to recreate some of the gowns.  So far, I haven’t seen any fan-names.   I also haven’t seen many people consider themselves to be fans of the movie.  So blue dress, queen dress {(she finds out she’s a queen…yes, a queen)}?  And Sugarplum’s costume name is obvious. She has one. And she’s Sugarplum.

So I will be attempting something of a costume study on them. Regardless of the story, I suspect there will be people wanting to cosplay, or who are just plain interested in more.

Labyrinth Jareth Study: Part 2.3, Back/Lapels

First post of two about the back and lapels!  Tomorrow’s post will be just a bunch more photos.  Remember, all photos enlarge when clicked.

This first photo shows a great selection of the types of beads and baubles.  The tiny little 16/0 beads are the only ones sewn on, and they follow a floral pattern that isn’t part of the lace.  The floral pattern exists only because of the beading.

The smooth beads that look like small glass fishbowl pieces are glass, as are the faceted rhinestones that come to a point at the top and the 9-faceted black rhinestones (the table is a facet).  The rest have the glow and roughness of plastic, which makes sense since they’re meant to be rough, and that’s a difficult look to get with glass.  Say hello to those strings of hot glue!  I will be experimenting with different options since hot glue melts in areas with hotter weather, like Arizona, or Burning Man! (I learned that one the hard way…also, m Green Fairy costume caught on fire. 😀 )  Even if not worn, traveling though hot areas could melt the glue.  So I’ll report on what I tried in post 2.5

This photo shows well the cut of the tail coat in the front.  The seaming almost gives the appearance of a separate vest, but there isn’t one.  The lace/baubled bits (I’m just going to call the decorated pieces “baubled bits”) follow the seams in the front down to about 4″-5″ below the waist, and continue up over the shoulders.

The exaggerated labels are glorious, and that wonderfully high collar are just…*sigh*  Notice also the single button on the front.  I’m going to come back to this on post 2.5.

Pay attention here to how the baubled bits on the back extend all the way to the waist, to the two buttons, before sharply curving back up, then to the waist again, like three long drips.

The lace is folded to cut over the sleeve cap, but is the same piece.  Click on this pick to make it larger, and you can see that the fold terminates about 1/4″ below a blue bead.

More photos tomorrow!  If anything isn’t clear enough, or more explanations of any sort are needed, let me know.

 

Labyrinth Jareth Study: Part 2.2, Cuffs

I can hear it already.  “But, Aria, why are there so many pictures of just cuffs?!”  Well, I can tell you with authoritative certainty that the spot that people are most likely to skimp on is the cuffs because the main focal point is the back and lapels, and this is what drags down an overall look.  If more time will be spent anywhere, it’s usually going to be where you expect the eye to go.  Yet it’s actually the secondary features that need to be more impressive than the primary.  This seems counterintuitive, but bear with me here.

Let us call them Yummy, Chair-dude, Beach Bros, and Street Man.  Let us define primary clothing as that which you would wear to say you’re wearing something.  If you’re wearing a suit, that means the coat and slacks.  If you’re in casual stuff, it’s the stuff won’t take off if you’ve got friends visiting.  So, your top and pants (or skirts, but I’m using the example of men since women are too often used to make positive and negative points).  Everything else are accessories, the things you can change easily and still be dressed.

A suit is typically considered dressy.  Jeans and slacks without blazers are considered casual.  Well, Yummy and Beach Bros are wearing primary clothing that is considered dressy.  But Yummy’s casual undershirt and un-shellacked ponytail and the Beach Bros’ bare feet make them look like they’re dressed down.  They have a casual, laid-back vibe to them.  But Chair-dude and Street Man are wearing primary things considered to be casual, yet are wearing shined shoes, dress socks, a hella nice outer coat and scarf, with nary a hair out of place, and come across as dressed up.  If you have a business meeting, you’d be better off wearing Chair-dude’s or Street Man’s technically casual ensembles than to go in how Yummy or Beach Bros are dressed, even though they’re wearing blazers, and one of the thing making Yummy look casual–the t-shirt–is also on Street Man.

What’s so different here?  Well, the secondary things, also known as accessories, even when necessary (e.g. a shirt under the blazer), are the finishing touches, and those can make or break a look.  A couple common phrases are “the shoes make the man” and “the accessories make the outfit” (I don’t know of any equivalents that are about women in particular, though Coco Chanel is known to have been very much into accessories how how they can make or break the ensemble, regardless of formality).

What all of this means is that the thing you expect to be the main focal point isn’t the thing that will form your opinion on something.  Cuffs that don’t get much time because they aren’t the main focal point will pull down Jareth’s ensemble, but better cuffs with lapels, collar, and upper back that didn’t get as much time will come across as more put together.  The state of what we consciously think of as lesser important affect our subconscious view more than we realize.  Take my word on this–after doing this stuff for almost 20 years now, and fairly consistently being considered among the best, I’ve learned a thing or two, and if you critique my work hard enough, you’ll come to see that that thing you can’t quite put your finger on that makes my work so jaw-dropping (and that makes me cringe and think much of my stuff is so flawed, ironically) is the secondary details that don’t seem to matter, things like the lapels, or the stripes lining up even in the arm pits, even if that are small flaws in the primary parts of something.  If there’s anything to let go of, it’s perfection in the part people already expect see as perfect, and if there’s anything to make sure is perfectly right, it’s the part where people expect to find the flaws.  Since we tend to look for problems where we expect to find them, and don’t bother looking for problems where we don’t expect to find any, when those problems aren’t there, and we aren’t looking for them elsewhere, we see perfection.

It’s psychology, and that’s why cuffs aren’t just cuffs, and now you know my secret to everything.  And now I’m screwed since y’all will be looking for flaws in the primary things. 😀

So there is your answer.  There are so many photos of cuffs because they are more important than the lapels.  They are more important than the collar.  They are more important than the upper back.  This is the detail that will make or break your recreation.

So, to the cuffs.  Scroll four photos down.  Click on it.  Notice how there is a section there that isn’t decorated.  The rest is black lace with a bunch of stuff on it.  That stuff includes plastic green/blue plastic faceted iridescent buttons.

 

It also includes a bunch of stringy hot glue…

…with chunky glitter and beads tossed on top…

And some teeny tiny black seed beeds, the 16/0 annoying kind, and they’re the only beads that are definitely sewn.  Because of course.  Glue the beads with the big holes, but sew on the painfully tiny things.  What were you thinking, Brian Froud?  Giving the baby beads the power, were you?

I love the lace.  It’s such a lovely lace.  If it didn’t look so pretty with glue and glitter (we’re all familiar with my loathing of the glitter glue on the live action Belle yellow gown, right?), I might want to rip my hair out for it being used on such beautiful lace.  At least there are some teensy short glass tube beads mixed in.  But this is an ensemble where these measures not only make sense considering the quality of film at that time, but it makes sense for the character.

The beads used on the cuffs are the same as on the lapel, collar, and upper back.  Those posts will show a lot more detail about those beads.

Why yes, that is Ludo in the background, next to a Firey.

Glitter.  And beads.  On glue.  Over black tulle.

Now there’s been a question about hot glue and the heat….  Stay tuned for post 2.5, Friday for my public posts, Thursday for the day-early-Patreoners.  I’ve got some ‘sperimentin’ to do.

Labyrinth Jareth Study: Part 2.1, Lining

The least exciting part first, shall we? 😀 Cherie Lovell, a follower of my page, confirmed that the serging is a 3-thread for both layers.  🙂 So if you want the same serging, that’s the method to use.

This photo shows well the fading.  It’s definitely not intentional.  This side, the right side, has a good deal of fading.  The left side doesn’t.

Here is the left side, and the fading is very little.

Another of the left showing how little fading there is compared to the right side.