This isn’t really a full post, but it’s worth mentioning. While double-checking on a quote in a book I have, I found this:
Thirty years on, Connelly still remembers the dress she wore: a billowing silver-white ball gown of iridescent fabric, with puffed sleeves a silver lace bodice, and a pannier, or hooped petticoat, beneath the skirt. “It was so elaborate,” she says. “And it was made of such unusual fabric. I thin there may have been some cellophane in it.”
“We made her dress out of silver lamé and iridescent rainbow paper, overlaid with lace and jewels on the bodice,” recalls Ellis Flyte. “We had costume breakdowns and a color chart on every character, and in this scene, her silver and mint color pallet se her apart from the others in the ballroom. Lovely young Jennifer suddenly was a beaitoul princess. Her hair was dressed jeweled glue particles. It all took a great deal of work, but she did look otherworldly!”
“Oh, that enormous hair!” Connelly gasps today. “Who can forget that?” The hairdressers opted not to give her an elegant updo; instead they wove delicate tendrils of silver through her dark hair, like enchanted spiderwebs.
This is from Labyrinth: The Ultimate Visual History. It’s a beautiful book. I paid the full $45 for it, and don’t regret it. If you want to buy it on Amazon, here’s my affiliate link to it (and you an read other reviews) where I’ll get about three cents, but it’s really worth going down to your local Barnes & Noble, Powell’s, or what-have-you, and coughing up $45 for both this book as well as to help keep brick-and-mortar stores from going the way of the dodo.
Anyhoo! I thought that piece is something interesting enough to bring here. Back to finalizing post numero uno in the Jareth set!